Studio Practice + Sustainability

Luke Murchie Art is an independent studio practice run out of a Melbourne apartment where the living room becomes a studio on evenings and weekends, the furniture gets moved, and the work gets made.

It's a small operation by design, built around making thoughtful decisions at every step, from materials to packaging to who we work with.

The paintings

Luke works with professional-grade water-based acrylic paints. As acrylic is water-based rather than solvent-based, it produces significantly lower VOC (volatile organic compound) emissions compared to oil-based alternatives — making it a safer choice for both the studio environment and the people in it. Brushes and tools are cleaned with water and soap, avoiding the harsh solvents typically required in oil painting practice.

The canvases Luke paints on are 100% cotton, triple primed, 280gsm, and unbleached — made with responsibly sourced plantation pinewood frames. Cotton canvas is a natural, durable material that supports the longevity of the work.

The frames for original paintings are crafted from Tasmanian Oak, a hardwood known for its durability and quality. We work with a local independent framer rather than a large supplier — a deliberate choice to support small business and keep things close to home.

The prints

Each print is produced using giclée printing - a process trusted by galleries and museums worldwide for its exceptional colour accuracy, tonal depth, and fine detail. We print on museum-quality Fine Art Paper selected to bring out the depth, texture, and richness of the original artwork while ensuring a refined, lasting finish.

The papers we work with are chosen not only for their archival quality and tactile feel, but also with sustainability in mind. We carefully consider factors such as longevity, responsible sourcing, and environmental impact when selecting materials for our prints.

We also aim to make the packaging and shipping process as environmentally conscious as possible. Orders are packed using materials such as biodegradable bubble wrap, glassine paper, biodegradable tape, and recyclable cardboard. The archival sleeves used to protect prints are acid-free and archival-safe. Where more sustainable alternatives become available, we're always looking to improve and make better choices.

The bigger picture:

Luke makes work that is meant to last - paintings and prints built to be kept for a lifetime, not cycled through. That's the most honest sustainability commitment we can make: creating things worth holding onto.